Sophie Marie Niang

Peer-reviewed articles

Dolly's Laugh: A Meditation on Recorded Excess (with Ruari Paterson-Achenbach), openworks (2025).

On Flamboyance: Refusal and Worldmaking in Rébecca Chaillon’s Carte noire nommée désir, Modern & Contemporary France (2025).

In Defence of What’s There: Notes on Scavenging as Methodology. Feminist Review 136 (2024).

S’enrager sans se consumer: Afrofeminist flamboyance as refusal in contemporary France, in Rage: Affect and Resistance in French and Francophone Culture and Thought: 1960–2020, (2024).

The Sound of Liminality: Afrotrap, Affective Listening and the (re)invention of Afropean identities. Sociology Compass 17(9). (2023).

Between Post-Racial Ideology and Provincial Universalisms: Critical Race Theory, Decolonial Thought and COVID-19 in Britain (with Ali Meghji). Sociology, 56(1). (2021)

Other Writing

(Article) Hold Up: The Queer Revolutionary Children of 'Zero for Conduct'

(Book Review) In Defense of Barbarism, Red Pepper (Spring 2025).

(Book Review) Radical Intimacies, The Sociological Review Magazine.

Talks + Events

I have presented my work at a number of conferences and invited talks in the UK and abroad. I have also collaboratively organised conferences, workshops, and event series on topics ranging from the possibilies of writing as a reparative method to the work of experimental musician Arthur Russell.

Selected Invited Talks
Selected Conference Papers
Selected Events

Teaching

Currently, I contribute to different modules on the BA Social Sciences and the MA Education in Arts and Cultural Settings at King's College London.

In the past I have taught (in English and in French) the sociology of race and racism, the sociology of gender and sexuality, and contemporary French culture to undergraduate and graduate students. I have designed classes on black feminisms, the ethics of documentary filmmaking, the cultural politics of race & nation in Britain and the aesthetics of anti-racism for the University of Cambridge as an affiliate lecturer, and as an invited lecturer at the University of Warwick and the University of Lausanne.

I have also given workshops on creative methodologies and method-making to graduate students, and delivered outreach lectures to secondary school and sixth form students.

Artistic Projects

Commissioned by the Institute of Contemporary Arts, London (ICA) for their echoes, feelings and meanings project (2021).

Commissioned by the British Music Collection as part of the LGBTQ+ Composer Call (2021).